Scene from Un gatto nel cervello (1990)
Scene Details
Duration: 499 sec.. | Nudity: yes | Creator: zorg |
New Filesize: 161 mb (63% saved) | Sound: yes | Old Filesize: 439 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x1080 | Added: 2025-09-05 |
Actresses in this Scene

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Alternate Names: Layla Frank
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Adriana Russo played the lead role of Annie in 'Miele di donna' (1981). The film tells the story of a young, naive woman who enters a peculiar hotel for the night, unaware that it offers more than just accommodation. Intrigued, Annie explores the hotel and becomes fascinated with a mysterious man residing in a forbidden room.

Birth Name: Annie Sylvie Brilland
Birth Date: 1956-12-10
Birth Place: 15th arrondissement of Paris, France
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Alternate Names: Annie Brilland, Annie Sylvie Brilland
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Annie Belle is best known as an important figure in 70s erotic cinema. She made her debut in France, shooting for Jean Rollin, then continued her career in Italy. She shot for some of the great names of European bis cinema, including Joe d'Amato, Ruggero Deodato, Antonio Margheriti, Massimo Dallamano...

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Alternate Names: Georgia Moore, Gilda Germano, Luciana Ottaviani
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"Jessica Moore, born Luciana Ottaviani on August 8, 1967, in Urbino, Italy, is renowned for her prolific and provocative roles in erotic cinema. With her ample assets—including her substantial bosom, firm derriere, and neatly groomed bush—she outstrips many of her European and American counterparts. Her first notable appearances were in 'Convent of Sinners' (1986) and 'Casanova' (1987), but it was her leading role in 'Undici Giorni, Undici Notti' (1986)—titled 'Eleven Days, Eleven Nights', though Erotic4u suggests 'Two Boobs, Two Buns' would be more apt—that launched her career. Here, Moore played a writer researching nude modeling and prostitution, showcasing her willingness to bare all and engage in explicit scenes. In subsequent films like 'Top Model' (1988), she demonstrated her versatility, despite being the titular character, by actively participating in sexual encounters rather than merely posing. Other credits include 'Reflections of Light' (1988), 'Sodoma's Ghost' (1988), 'Non aver paura della zia Marta' (1988), 'Classe di ferro' (1989), and 'Luna di sangue' (1989). After these appearances, Moore seemed to retreat from the film world, leaving behind a legacy of wanting 'more'—a sentiment echoed by her fans who yearn for more of her performances."

Birth Name: Maria Luisa Longo
Birth Date: 1950-07-13
Birth Place: Venice, Metropolitan City of Venice, Italy
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Alternate Names: Malisa Lang, Melisa Lang, Marisa Longo, Mary Louisa Longo, Maria Luisa Longo, Malisa Long, Melissa Long, Melissa Lang
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Malisa Longo (born 13 July 1950) is an Italian actress, model and writer.
Born Maria Luisa Longo in Venice, at young age Longo moved to Rome where she started a career as a model; she entered the Miss Italia beauty contest, winning the Miss Cinema and the Miss Lazio titles. After having appeared in a number of commercials, Longo made her acting debut in 1968, in the Antonio Margheriti's giallo film The Young, the Evil, and the Savage. She then appeared in a number of films, sometimes in main roles, and was especially active in the Nazisploitation and commedia sexy all'italiana genres.
She is perhaps most famous worldwide for her cameo early in Bruce Lee's film Way of the Dragon.
Longo retired from acting in 1997. In 2000 she debuted as a writer with the novel Così come sono, and her works include poetries (Il cantico del corpo) and essays (Aggiungi un seggio a tavola).
Longo was married to film producer Riccardo Billi and resides in Chicago, Illinois.

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Alternate Names: Judy Morrow
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Alternate Names: Ana Ria De Simone, Anna Ria De Simone, Anna Maria "Ria" De Simone, Anna Maria De Simone
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"Introducing Ria De Simone, an Italian actress who made her mark in cinema with her sultry performances. Her first notable role came in 'Lovers and Other Strangers' (1973), followed by appearances in 'Sex with a Smile 2' (1976) and 'Sorbole…che romagnole!' (1976), marking her debut in explicit scenes alongside Maria Rosaria Riuzzi. The steamy 'La Clinica dell’amore' (1976) followed, featuring Ria sharing intimate scenes with Sofia Dionisio and Alena Penz. Her final nude role was in the comedy 'L’Insegnante viene a casa' (1979), alongside Edwige Fenech. Though she continued acting in exploitative films until 'A Cat in the Brain' (1990), Ria chose to forgo nudity after that point."

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Alternate Names: Zora Ulla Kesslerová, Zora Keer, Zora Kerowa, Ulla Keslerová
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Zora Ulla Keslerová (born 11 August 1950) is a Czech actress, dancer, singer and model. Often credited under the names Zora Kerova, Zora Kerowa or Zora Keer, she became known for starring in numerous Italian horror films during the 1980s.
Born in Prague, Czechoslovakia, she began her career as a dancer and singer, later becoming a photo model. Kerova made her screen debut in the Italian film, La febbre americana (1978). A year later, she appeared in the Czech drama, Křehké vztahy, and another Italian film, Terror Express. She followed by starring in cult horror films such as Antropophagus (1980), Cannibal Ferox (1981) and Lucio Fulci's The New York Ripper (1982). She later appeared in another two Fulci's films, Touch of Death (1988) and Sodoma's Ghost (1988).
About the Movie: Un gatto nel cervello (1990)

Alternative Title: A Cat in the Brain, Um Gato no Cérebro, Nightmare Concert, 大脑中的猫, Kass ajus, I volti del terrore, Kot w głowie, Kot w mózgu, O Concerto Nocturno, Кошмарный концерт
Director: Lucio Fulci
Writer: Antonio Tentori, Giovanni Simonelli, Lucio Fulci
Production & Genre
Producer(s): Producer: Antonio Lucidi, Luigi Nannerini
Companies: Executive Cine TV
Awards & Similar
Awards: N/A
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Keywords
Keywords: cannibal, cat, chainsaw, delusion, gore, insanity, movie business, nightmare, orgy, pig, serial killer, slasher
Story
The movie follows Dr. Lucio Fulci, an Italian horror filmmaker renowned for his gruesome films. However, his mental state begins to deteriorate as he becomes haunted by the violent and disturbing images from his movies. Seeking help, Fulci visits psychiatrist Egon Schwarz. Unbeknownst to Fulci, Schwarz uses him as an avatar under hypnosis to carry out his own twisted fantasies, aiming to ruin Fulci's reputation. While under Schwarz's influence, Fulci commits brutal murders, leading to a downward spiral of events that threaten both their sanity and lives.
Summary
Un gatto nel cervello (A Cat in the Brain) is an Italian horror-comedy blend directed by Lucio Fulci himself in 1990. The film serves as a meta-commentary on the horror genre, with Fulci playing a fictionalized version of himself. It explores themes of sanity, artistic influence, and the blurred line between fantasy and reality. The movie is known for its graphic violence and black humor, showcasing Fulci's signature gore while also delving into his personal struggles with his own creations.