Scene from Ulovit miliardare (2009)
Scene Details
| Duration: 444 sec. | Nudity: yes | Creator: supers992 |
| New Filesize: N/A | Sound: yes | Old Filesize: 328 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x816 | Added: 2020-Oct-15 |
Actresses in this Scene
Ester Janecková
Details
Alternate Names: Ester Janeckova, Ester Janecková
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Career
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Full Biography
Ester Janecková, known for her role in the 2009 film 'Ulovit miliardare', played a character who was accused of racism, sparking a public outcry and media campaign against her.
Katerina Sedláková
Birth Name: Kateřina Sedláková
Birth Date: 1986-10-08
Birth Place: Pardubice, Czechoslovakia [now Czech Republic]
Details
Alternate Names: Katerina Sedlakova, Katerina Pechová, Katerina Sedláková, Kateřina Pechová, Katka Sedláková
Physical Characteristics: N/A
Career
First Appearances:
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Full Biography
Katerina Sedláková starred as 'Zuzana Grossmannova' in the 2009 Czech film 'Ulovit miliardare'. The movie revolves around a fabricated report accusing successful businessman Patrik Grossmann of racism, leading to widespread media scrutiny and public hostility.
About the Movie: Ulovit miliardare (2009)
Release Year: 2009
Nation: Czech Republic
Alternative Title: Ulovit miliardáře, Milyarderi Avla, Catch the Billionaire
Director: Tomás Vorel
Writer: Martin Nezval, Tomás Vorel
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Comedy
Story
Ulovit miliardare (2009) follows the story of Patrik Grossmann, a successful businessman who becomes the target of a smear campaign after a fabricated accusation of racism surfaces. The media launches an intense attack on him, leading to widespread public opinion turning against him. Despite the hostility, everyone seems eager to take advantage of his situation, hoping to 'catch' a billionaire. The film explores how Grossmann navigates this difficult period as he fights against these baseless accusations.
Summary
'Ulovit miliardare', a Czech comedy directed by Tomás Vorel in 2009, is a critique on society's fascination with the wealthy and its willingness to condemn them without sufficient evidence. The film explores themes of media bias, public opinion manipulation, and the human tendency to pile onto those perceived as powerful or successful. Despite its serious underlying messages, it maintains a comedic tone throughout.